5-10% Of the many submissions of poetry, short fiction, and non-fiction that we receive at Beautiful Losers Magazine, only around 5-10% of them are accepted for publication. If that sounds competitive, it’s because it is; and many literary magazines are actually quite a bit more difficult to get into than Beautiful Losers Magazine.
With that in mind, I’m proud to introduce a new concept to The Literary Game. Inside A Publisher’s Mind is going to be a running feature detailing the rationale behind the poetry, short fiction, and nonfiction that we’ve accepted at Beautiful Losers Magazine. While every publication has their own unique style, it is my hope that this can shed a little light on some of the core qualities of excellent literature and help writers improve their craft. I hope you find this of help!
- Slick was consistent with the type of poetry that we publish. We’ve rejected a poetry submission from a poet who was published in The New Yorker. Credentials don’t matter to us, especially if a poet or other type of writer doesn’t send writing that is a fit for our magazine. Slick is edgy, literary, and accessible – exactly in line with the type of poetry that we publish.
- Slick was provocative. Lines like “When she came in my mouth, it tasted like a three-years-held / thank-you, / that sweet.” caught my attention. The entire poem was bold. Emerson didn’t dance around the sexuality intrinsic to this poem, he embraced it.
- Slick was exceptionally well-crafted. First, the basics: There were no typos, no grammatical mistakes, and no odd formatting, all of which turn me off because they indicate that either a writer doesn’t understand the basics of the English language, or that they don’t take their writing seriously enough to give it a proofread. Beyond the basics, Emerson showed that he wasn’t a novice through his strong use of imagery and the push-pull in the language’s subtlety. A less-skilled poet could easily have lost the artfulness of this poem and turned into a shock piece with little literary merit.
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